Winner of the 2016 Perugia Press Prize!
“These poems come to you urgent, rushing and controlled from a wide-open heart. A splendid debut.” — Thomas Lux
“In language that is spare, precise, and at times wonderfully, subtly strange, Ortiz works in the overlap between self and world, showing us that time does not honor human consciousness, nor even recognize it. Yet the world is all we have, and what we are is part of it. We are not its masters, and the attempt to hold onto things by saving, describing, and labeling them, is doomed. We’ll lose what we love. This hard-won understanding is the tough heart of this piercing, memorable book, which, like any memorial, is simultaneously a celebration of life and an elegy.” — Chase Twichell
Self Portrait as a Clock
Finishing Line Press, 2013
“Don’t let the gorgeous music, with its echoes of Plath and Dickinson, soothe you; these are elegant, unnerving snapshots— both praise and lament— of what A. R. Ammons calls poetry’s one real subject: ‘impermanence…'” —Catherine Barnett
Main Street Rag Press, 2011
“These are poems whose relics are at once fantastical and familiar, secretly hopeful and sensuously rich, that illuminate the profound, tenuous truth we may always have suspected, but before reading Lisa’s poems didn’t quite know how to voice: we are ‘lightly connected/ to everything.'” — Robin Ekiss